STUDIOBRAND & INTERFACE MANUAL  //  V1.0

Contactless attendance and access control

TRICSY  //  2026
DESIGN SYSTEM v1.0
02  /  COLOUR

Colour

Warm monochrome — ivory #FFF9F2 anchors both modes

SURFACES — SECTIONS ARE THE EXTREME, THE GROUND IS ONE STEP IN
INK
ACTION
DATA SCALE
STATE — SIGNAL ONLY, NEVER DECORATION
GRADIENTS — DATA FILLS ONLY
WARM — PRIMARY SERIES

Ink fading into the ground, so the leading curve always sits on top.

COOL — SECONDARY SERIES

The only cool tone in the system. Deep petrol, never saturated enough to read as blue at a glance.

WASH — NEUTRAL LIFT

Grid columns and specimen grounds. Never a card or a section.

RULES
03  /  TYPOGRAPHY

Typography

Geist + Geist Mono — two faces, nothing else

Aa
Geist
HEADINGS AND BODY
300 · 400 · 500 · 600 · 700

The quick brown fox jumps over the lazy dog 0123456789

Aa
Geist Mono
LABELS, DATA, METADATA
400 · 500

THE QUICK BROWN FOX 0123456789 // ()[]{}<>

TYPE SCALE — NINE STEPS, TWO TRACKS
04  /  GRID

Grid and space

12 columns · 24 px gutter · 8 px rhythm · zero radius

12-COLUMN GRID
Max content width 1400 px  ·  side margin 100 px  ·  gutter 24 px
SPACING RHYTHM
$space-1 … $space-9  ·  every step a multiple of 4 px
TEXTURES AND SURFACES
45° hatch, 10 px pitch. True token $hatch.
Dot grid, 18 px. Page margins.
Construction grid, nodes 5–13 px.
0
Corner radius = 0. No exceptions.
DEPTH — SECTIONS SIT BELOW THE GROUND, NOT ABOVE IT
$PAPER — GROUND
$SURFACE — CARD, SECTION
$SURFACE-SUNK

Toolbars, code blocks, search fields. Never darker than the card it sits in.

Each step down the stack is roughly four per cent apart. The steps are deliberately small — a section should read as a cut into one plane, not as a card floating above a lighter page.

05  /  COMPONENTS

Buttons and fields

Sharp corners, 1 px rule, no shadows

VARIANTS
Primary · secondary · quiet · ghost · destructive · disabled
SIZES
SM 32 px · MD 40 px · LG 48 px — heights on the 8 px rhythm
FORM FIELDS
E-MAIL
Optional field description.
E-MAIL
Focused field — $accent rule.
E-MAIL
Enter a valid email address.
DEPARTMENT
This field is disabled.
Field height 40 px · rule 1 px · focus state = $accent
NAVIGATION ELEMENTS AND FLAGS
Preview Code
Home / Devices / Terminal A
+12.4% −3.1% PENDING ONLINE AttendanceAccessBiometricsAPI
Tabs · segmented · breadcrumbs · badges · tags — colour only on state
06  /  CARDS

Cards and modules

Surface, 1 px rule, no shadows, sharp corners

CONTENT CARDS
METRICS
DATA CARDS
TABLE
EmployeeDepartmentTerminalClock inClock outHoursStatus
08  /  WEB

Web / Home

The system applied to a page

NEWTERMINAL T2  //  RECOGNITION IN THE DARK

Your Biometric
Helper

for elevated security and seamless experience

TRUSTED BY MATADOR ESET SLOVNAFT KIA VOLKSWAGEN ZSSK
WHAT IT DOES

One identity for attendance and doors.

PRICING

You pay per employee, not per feature.

Deployed in a single day.

We arrive, mount it, train your team. No changes to your network.

Book a demo → Call me back
09  /  ICONS

Iconography

Lucide · 1.5 px stroke · 16 / 20 / 24 px · never filled

SET
SIZES AND PLACEMENT
14 inline · 16 in buttons · 20 in cards · 24 in grids · 32 standalone
Tint · solid · outline · no background — always a 48 px square, radius 0
10  /  APPLICATIONS

Brand in use

Business card, signature, terminal display, mobile, poster

BUSINESS CARD AND EMAIL SIGNATURE
Jakub Reken
HEAD OF DESIGN
jakub@tricsy.sk  //  +421 900 000 000
YOUR BIOMETRIC HELPER
TRICSY.SK
EMAIL SIGNATURE
Jakub Reken
HEAD OF DESIGN  //  TRICSY S.R.O.
jakub@tricsy.sk · +421 900 000 000 · tricsy.sk
TERMINAL DISPLAY, MOBILE, POSTER
07:12TERMINAL A
Look at the camera
IDENTIFICATION STARTS AUTOMATICALLY
TRICSY
07:12TERMINAL A
Jana Kováčová
PRODUCTION // CLOCK IN 07:12
RECORDED
TRICSY
Your Biometric Helper
FOR ELEVATED SECURITY
AND SEAMLESS EXPERIENCE
TRICSY.SK
11  /  GRID SYSTEM

Grid and ruler variants

Three blueprint grids · three rulers · seven node states

NODE STATES — SHOWN AT ACTUAL SIZE, HOVER TO SEE THE TRANSITION
BLUEPRINT GRIDS — PATTERN SPECIMEN, REDUCED TO 50 PX CELLS
RULERS — SHOWN AT ACTUAL SIZE
BUILD NOTES